hindi madhura geet: 2007

Wednesday, December 12, 2007

SOME MORE HINDI SONGS

FOR SOME MORE HINDI SONGS PLEASE CLICK THE FOLLOWING LINKS

http://www.mp3hungama.com/music/index.php?mode=list&alpha=M

Thursday, December 6, 2007

1940 hindi songs collection

Click the following links for old melodies

1. http://www.indianmelody.com/old1940s1.htm

2. http://www.indianmelody.com/old1940s2.htm

Tuesday, December 4, 2007

wedding hit songs

Monday, December 3, 2007

R.D. Burman composed songs

CLICK THE FOLLOWING LINKS FOR R D BURMAN COMPOSED SONGS

1. http://mp3hungama.com/music/index.php?action=album&id=2129

2. http://mp3hungama.com/music/index.php?action=album&id=2130

3. http://mp3hungama.com/music/index.php?action=album&id=2131

4.http://mp3hungama.com/music/index.php?action=album&id=2132

5.http://mp3hungama.com/music/index.php?action=album&id=2133

Sunday, December 2, 2007

"MUKESH COLLECTIONS "old is gold

Saturday, December 1, 2007

MUHAMMAD RAFI hits madhuara geeth

Rafi was born on December 24, 1924 in a small village in Punjab state (now in Pakistan) near Amritsar city and later shifted to Lahore city when he was 14 years old. There he studied music under Khan Abdul Waheed Khan, Jeevanlal Matto and Ghulam Ali Khan. At the age of 7 years old, Rafi learnt Hindustani Classical music under the famous Ustaad Bade Gulam Ali Khan. Rafi came from a family where humility was equated with worshiping the divine. He had a lovable nature, no enemies and perennial humility.

He started career with his first song in 1944 for a Punjabi film Gul Baloch with music director Shyam Sunder. Not many people know that had acted in couple of films, Laila Majnu (1945) and Jugnu (1947). Rafi made his mark with Tera Khilona Toota Balak in Anmol Ghari (1946).His first turning point was Naushad in Pehle Aap which came out in 1944. Rafi's first super hit was in Jugnu released in 1947 in which he sang the duet 'Yahaan Badla Wafaa ka Bewafaee ke Siva Kya Hai' with Noorjehan under Feroz Nizami.

In 1948, after the assassination of Mahatma Gandhi, the team of Husanlal Bhagatram-Rajendra Krishan-Rafi had overnight created the immortal song ‘Suno suno ae duniyawalon, Bapuji ki amar kahani…’, which became a national rage. Mohammad Rafi became a household name.His career took off with the all-time hit Suhani Raat Dhal Chuki from Dulari in 1949. There was no looking back aftermath and Rafi ruled as the undisputed king of playback singing till the early 70s. From 1960-1970 Rafi was unchallenged at the top. In spite of his super-stardom he remained humble and soft-spoken. Even though Rafi was displaced by Kishore Kumar in the early seventies hr made a grand comeback with the Nasir Hussain musical Hum Kissi se Kum Nahin (1977) and Amar Akbar Anthony the same year even winning the National Award for Kya Hua Tera Vaadaa for the former.In the 1960s Rafi sang for popular heros like Dilip Kumar, Dev Anand, Shammi Kapoor, Rajendra Kumar, Johnny Walker, Sunil Dutt, Biswajeet, Joy Mukherjee, Dharmendra, Shashi Kapoor and Raaj Kumar!

His last song was Tu kahin aas paas hai dost for Laxmikant Pyarelal in the film Aas Paas. The Great singer Md Rafi passed away on July 31, 1980. His immortality is vouched for by the fact that even almost two decades after his death, his popularity remains intact. Mohammad Rafi has sung more than 26,000 superhit songs.Mohammad Rafi has sung songs in telugu also which were hit. Rafi Sahab was honored by the Indian Government in 1965 with the prestigious Padma Shree AwardA singer par excellence and a paragon of humility and piety, Rafi strode the musical landscape like a meteor, enchanting generations of music lovers and transcending geographical borders. The melody and vocals Mohammad Rafi created, crafted and pioneered during his reign have withstood the test of Time. The mellifluous vocals rise like a glorious tide, caressing the soul with songs for every mood and occasion.A teetotaler and family man to the core, Rafi is the shining example of a singer who lit the way and blazed the trail for numerous aspiring singers from Mahendra Kapoor to Anwar and Shabbir Kumar down to Sonu Nigam.Even though Rafi left the world on July 31, 1980 for his eternal reward, his divine voice and soul will never fade from this earth. He was, and remains, a major force in film music, the music of love, despair, hope, humor ...

AWARDS:

1960 - Filmfare Awards (Chaudvin Ka Chand - Chaudvin Ka Chand),

1961 - Filmfare Awards (Chasme Baddor - Sasuraal),

1964 - Filmfare Awards (Chahunga Main Tujhe – Dosti),

1965 - Padmasree Award,

1966 - Filmfare Awards (Baharon Phool Barsaao - Suraj),

1967 - Filmfare Awards (Neele Gagan Ke - Humraaz),

1968 - Filmfare Awards (Dil Ke Jharoke Mein Tujko Bithakar – Brahmachari)

Friday, November 30, 2007

MADHURA GEETH kishore kumar HIT Songs

Kishore Kumar Profile:

1. Original Name: Abhas Kumar Ganguly

2. Date of Birth (Birthday): 04-08-1929

3. Date of Death: 13-10-1987

4. Birth Place: Khandwa, Madhyapradesh

5. Religion: Hindu

6. Languages: Hindi, Bengali

7. Father's Name: Kunjalal Ganguly

8. Mother's Name: Gouri Devi

9.Spouse: Yogeeta Bali, Leena Chandavarkar, Ruma, Madhubala

10. Son: Amit Kumar Ganguly, Sumit Kumar Ganguly

11.Sister: Sati Devi

12. Brother(s): Ashok Kumar and Anup Kumar

Career:

He was one of the best comedy actor as well as one of the best singer, music composer, script writer.

Debut Film: As an Actor - Shikari

Best Movies: As an Actor - Sun Sajna, Door Wadiyon Mein, Chalti Ka Naam Zindagi, Shabash Daddy, Ek Baap Chhe Bete, Love In Bombay, Badti Ka Naam Dadhi, Pyar Diwana, Door Ka Rahi, Hungama, Aansoo Aur Muskan, Beti, Do Doni Char, Haye Mera Dil, Padosan, Payal Ki Khankar, Sadhu Aur Shaitan, Shrimanji, Albela Mastana, Duniya Nachegi, Hum Do Daku, Devar, Akalmand, Ladka Ladki, Pyar Kiye Jaa, Hum Sab Ustad Hain, Shreeman Funtoosh, Baghi Shahzada, Daal Mein Kala, Door Gagan Ki Chhaon Mein, Ganga Ki Laharen, Mr.X In Bombay, Ek Raaz, Manmauji, Naughty Boy, Rangoli, Bombay Ka Chor, Half Ticket, Jhumroo, Karorepati, Apna Haath Jagannath, Bewaqoof, Girl Friend, Mehlon Ke Khwab, Chacha Zindabad, Jaalsaaz, Shararat, Chalti Ka Naam Gaadi, Chandan, Dilli Ka Thug, Kabhi Andhera Kabhi Ujala, Raagini, Miss Mary, Musafir, Aasha, Bandi, Begunah, Aabroo, Bhagambhag, Bhai Bhai, Dhake Ki Malmal, Mem Sahib, Naya Andaz, New Delhi, Paisa Hi Paisa, Parivar, Baap Re Baap, Char Paise, Madh Bhare Nain, Rukhsana, Teen Tasveeren, Dhobi Doctor, Ilzam, Miss Mala, Naukri, Pahli Jhalak, Adhikar, Fareb, Laharen, Cham Chhama Chham, Andolan, Muqaddar, Sati Vijaya, Ziddi, Shehnai.

Film Awards: Award for Best Male Playback Singer for his songs in Sagar, Sharabi, Agar Tum Na, Namak Halal, Thodisi Bewafai, Don, Amanush, Aradhna

Wednesday, November 28, 2007

LATA MANGESH SONGS

For listening melodious hindi songs, click the following links instead of seaching so many sites, just simply click the links given below and also it saves your valuable time.

New links added:

http://www.indianmelody.com/latamangeshkar2.htm

http://www.indianmelody.com/latamangeshkar1.htm

1. http://mp3hungama.com/music/index.php?action=album&id=5

2. http://mp3hungama.com/music/index.php?action=album&id=2019

3. http://mp3hungama.com/music/index.php?action=album&id=2020

4. http://mp3hungama.com/music/index.php?action=album&id=2021

5.http://mp3hungama.com/music/index.php?action=album&id=2022

6.http://mp3hungama.com/music/index.php?action=album&id=2023

7. http://mp3hungama.com/music/index.php?action=album&id=2024

8.http://mp3hungama.com/music/index.php?action=album&id=2025

9. http://mp3hungama.com/music/index.php?action=album&id=2026

10. http://mp3hungama.com/music/index.php?action=album&id=2027

http://www.hindisongs.net/beta/music/ra/oldies

http://www.musicindiaonline.com/music/hindi_bollywood/ .
http://raaga.com/channels/hindi/ .

NOTE: I PLACED MANY LINKS UNDER LATA MANGESH PROFILE .

For latamangesh with kishore kumar and Md Rafi songs please click the following links and enjoy good audio .

Let us know some thing about Lata Mangeshkar profile. Lata Mangeshkar is the only second Indian singer to have received the Bharat Ratna.In fact, no other Indian singer of non-classical music has been awarded anything higher than the Padma Bhushan,the nation's third highest civilian honour as of April 2007. Popular singer Asha Bhosle happens to be one of her sisters.

Mangeshkar was born in Indore, Madhya Pradesh to a classical singer and theatre actor named Dinanath Mangeshkar and his second wife named Shudhmati Mangeshkar (also known as Mai Mangeshkar). The Mangeshkars were a middle-class Maharashtrian family. Lata was the firstborn child, to be followed by siblings Hridayanath Mangeshkar, Asha Bhosle, Usha Mangeshkar and Meena Mangeshkar.

Child wood: Know the childwood of the famous singer.

Raised in Maharashtra, at the age of 5 Mangeshkar started working as an actress in several plays known as "sangeet nataks" in which her father was performing. Her father also started giving her singing lessons. Dinanath's recitals and lessons left a strong impression on his daughter, as did the music of K.L. Saigal, who was her father's favorite singer and her idol.

1940s
Mangeshkar's first Film song was for the Marathi film Kiti Hasaal (1942), produced by Vasant Joglekar. However, her father was not interested the idea of any of his daughters singing for movies, so the song was dropped from the film.
In 1942, Mangeshkar's father passed away by heart attack. Due to the death of her father and the resultant financial distress, Lata played cameo roles in many Hindi and Marathi films, despite not personally enjoying acting.
In 1945, Ghulam Haider took her to meet producer S. Mukherji, who was working on a movie starring Kamini Kaushal. Haider wanted the 16-year-old Mangeshkar to get a chance to sing, but the producer dismissed her voice. Annoyed, Haider said, "Let me foretell today that this girl will soon put to shame everyone else, including Noor Jehan. Producers and directors will fall at her feet, begging her to sing in their films."[6]
Mangeshkar's big break came with the 1949 song "Aayega Aanewaala" from the movie Mahal for Madhubala and was composed by Khemchand Prakash. Mahal was a hit, a turning point for both Madhubala and Mangeshkar.

1950s
The 1950s saw Mangeshkar soar to the top of the heap of Bollywood singers. She recorded songs for all the major composers of the period, including Shankar Jaikishan, Naushad, S D Burman, C. Ramchandra, Hemant Kumar, and Salil Chowdhury.
Shankar Jaikishan used Lata as their female singer in all the movies they scored, mainly for Raj Kapoor. These movies include Aag, Aah (1953), Shree 420 (1955), and Chori Chori (1956). Some famous Lata tunes from these movies include "Mera Ang Ang Muskaya" (from Aah), "Ichak Dana Bichak Dana" (from Shree 420), and "Panchhi Banoon Udti Phiroon" (from Chori Chori).ui
Lata also became the main female singer for Naushad during the 1950s, beginning with Baiju Bawra (1952). Naushad's tunes were all classical raga-based compositions, and Mangeshkar turned out hits such as "Mohe Bhool Gaye Sanwariya" and "Bachpan Ki Mohabbat Ko" for Baiju Bawra.
S.D. Burman used Lata as his female singer for hit songs such as "Tum Na Jaane Kis Jahan Mein Kho Gaye" from Sazaa (1951), "Phaili Hui Hai Sapnon Ki Baahen" from House No. 44 (1955), and "Ab Aage Teri Marzi" from Devdas (1955). In 1957, however, Mangeshkar and Burman had a major falling-out, and Lata refused to record for him again until 1962. During this time, Burman groomed Asha Bhosle, Lata's younger sister, as his main female voice, and also utilized Geeta Dutt as well.

It was also during the 1950s that Lata formed her association with one of her absolute favourite composers, Salil Chowdhury. In 1953, Mangeshkar recorded "Aa Ri Aa Nindiya" from Do Bigha Zameen for "Salilda." 1958 saw the release of the Bimal Roy-directed blockbuster Madhumati, starring Dilip Kumar and Vyjayantimala. Chowdhury provided the music for the film, and "Aaja Re Pardesi" stands as one of Lata's most famous songs. It netted her her first Filmfare Award for Best Female Playback Singer.

1960s
The 1950s saw Mangeshkar make her case to enter the upper echelons of Bollywood music. However, it was the 1960s that saw Lata become the undisputed queen of Bollywood playback singing. She recorded songs for nearly every major composer in the industry, many of which became all-time hits.
1960 saw Lata render numerous hits for various music directors. She teamed up with Naushad to produce "Pyar Kiya To Darna Kya" for the lavish Mughal-era romance Mughal-E-Azam, perhaps the most popular song from that film. She also recorded several duets with Mohammad Rafi under Naushad's baton for Kohinoor, including the timeless "Do Sitaron Ka Zameen Par." For Shankar Jaikishan, she rendered the Hawaiian-themed number "Ajeeb Dastaan Hai Yeh" from Dil Apna Aur Preet Parai, picturized on Bollywood's tragedy queen, Meena Kumari. Finally, her partnership with Salil Chowdhury continued to bear fruit in the classical-tinged "O Sajana Barkha Bahaar" from Parakh.
In 1961, Mangeshkar took the first step on the road to reconciliation with S D Burman, as she recorded a bhajan, "Allah Tero Naam," for Burman's assistant, Jaidev. One of Lata's finest devotional pieces, it is said to have awakened eminent classical vocalist Pandit Jasraj from his sleep, with tears streaming down his cheeks.
1962 saw Lata record perhaps her most famous song, a patriotic song- "Ae Mere Watan Ke Logon" that was composed by C. Ramchandra and had its lyrics written by Pradeep. A moving tribute to Indian soldiers who fell in the Sino-Indian War, the song is said to have moved the then Prime Minister, Jawaharlal Nehru, to tears when sang at the Indian Parliament. That year, she bagged her second Filmfare Award for Best Female Playback Singer for the haunting "Kahin Deep Jale, Kahin Dil" from the movie Bees Saal Baad, composed by Hemant Kumar.
In 1963, Mangeshkar returned to collaboration with S.D. Burman, mainly as a result of a truce brokered by Burman's son, budding Bollywood composer (and future brother-in-law) R.D. Burman. The sugary sweet "Mora Gora Ang Lai Le" picturized on Nutan was a huge hit from the movie Bandini, directed by Bimal Roy. In 1965, she produced some more hits under Burman's direction for Guide, including "Aaj Phir Jeene Ki Tamanna Hai" and "Gaata Rahe Mera Dil" (the latter a duet with Kishore Kumar).
Along with Salil Chowdhury, Madan Mohan was another of Mangeshkar's favourite composers. Madan Mohan created the ghazal "Aap Ki Nazron Ne Samjha" from Anpadh in 1962; the pair would produce many other memorable songs over the years. 1964 in particular saw the release of Raj Khosla's Woh Kaun Thi?, which featured music by Madan Mohan. "Naina Barse Rim Jhim" was a haunting yet emotional number from this movie which also garnered huge popularity.
The 1960s also witnessed the beginning of Mangeshkar's relationship with Laxmikant-Pyarelal, the duo for which she would sing the most songs in her career. She recorded for them in their first Bollywood film, Parasmani, in 1963, and continued to work with them in films such as Dosti (1964), Farz (1967), and Milan (1967), continuing on into the 1970.

1970s
Mangeshkar performed tracks for star Meena Kumari, again, this time in the film Pakeezah (1971), with music by Ghulam Mohammed.
S.D. Burman's final films were in the 1970s, before falling into a coma and dying in 1975. Lata performed in the films Prem Pujari, Sharmilee (1971), and Abhimaan (1973). In Abhimaan she performed vocals at the age of 44, for 25-year-old actress Jaya Bachchan.
Teaming up once more with Salil Chowdhury she performed in the film Annadata (1971) and the title song of Chhoti Si Baat (1974). She also released an album of Meera bhajans composed by her brother. The album was titled "Chala Vaahi Des". Some of the bhajans in the album include "saanware rang raachi" and "ud jaa re kaaga".
Continuing their relationship from the 60's into the 70's, Lata and Laxmi-Pyare were together again (with Rahul Dev Burman in the mix). Writers Anand Bakshi and Majrooh Sultanpuri wrote most of the tracks, penning songs for the films Amar Prem (1971), Caravan (1971), and Raj Kapoor's Satyam Shivam Sundaram (1978). Mangeshkar and Kishore Kumar performed songs for R D Burman and lyricist Gulzar in the film Aandhi in 1975. R D Burman also effectively tapped the melody in Lata's throat in the songs of the wonderful film Kinara, famous for "Naam gum jaayega" and "abke na saawan barse".
Mangeshkar performed in 1976 for composer Khayyam and songwriter Sahi Ludhiyanvi for the film Kabhi Kabhie, and again with Khayyam in Shankar Hussain in 1977 and "Chambal ki Kasam" in 1979. She also sang for Naushad in "Chambal ki Raani".

In late 1970s and early 1980s, Lata worked with the children of composers she had earlier worked with. Apart from Sachin and Rahul Dev Burman, Lata worked has worked with Chitragupta and his sons Anand-Milind, Roshan and his son Rajesh Roshan, and Sardar Malik and his son Anu Mallik. Rajesh Roshan's first film Julie had some numbers sung by Lata, including Bhool gaya sab kuchh (duet with Kishore Kumar) and Yeh Raatein Nai Puraani.
Lata also sang in Raj Kapoor`s Ram Teri Ganga Maili, singing songs composed by the blind composer Ravindra Jain.
Apart from that, Mangeshkar has sung in many Rajshri Production movies, including the hit Maine Pyar Kiya.
[edit] 1990s
In 1990, Mangeshkar launched her own production house. Its first (and only movie), Lekin, flopped.[6] Mangeshkar also recorded many non-film songs, including ghazals with Jagjit Singh.[6]
Mangeshkar also sang for all of Yash Chopra`s films, including Lamhe, Darr, Yeh Dillagi, Dilwale Dulhaniya Le Jayenge, Dil To Pagal Hai and Veer-Zaara.
A. R. Rahman has recorded a number of songs with Mangeshkar, including "Jiya Jale" (from Dil Se, danced by Preity Zinta), "Khamoshiyan Gungunane Lagin" (One Two ka Four), and "O Paalanhaare" (Lagaan).
She has also sung for different successful films like 1942: A Love Story, Karan Arjun, Dushman and Jab Pyaar Kisise Hota Hai.
[edit] 2000s
She continues to sing in Yash Chopra films such as Mujhse Dosti Karoge! and Veer Zaara.
She has also sung a few songs for movies like Zubeidaa, Lagaan, Page 3, Mohabbatein, Kabhi Khushi Kabhie Gham, Bewafaa, Lucky: No Time for Love and Rang De Basanti.

hindi madhura geet

hindi geet